![]() It was a viral success: 25 millions views and +150k engagements.īut the most important: it created a wave of creativity among creators. Yumi Honda is a Board Member at Lighting Planners Associates based in Tsukuda, Tokyo. I will tell you a story that not many people know:Ģ months ago I created the Finance Cheat Sheet. ![]() See below the links to all 50 Cheat Sheets.īut first, do you know why you have seen all these Cheat Sheets lately? ![]() The best Cheat Sheets in ChatGPT, Excel, Finance & others With Tentpoles Bound To Surge The 2022 Box Office, The Great Theatrical-Streaming Day & Date Experiment Goes Out Like A Dud In 2021 What should be celebrated is the range of opportunities this represents for filmmakers and distributors: certain titles can still bring movie goers to their local cinemas, while the budgets the streamers have to spend - and the captive viewers they have at home - can help other films find their audiences there. Mini Bio (1) Yumi Honda is known for Ikiru o tsutaeru (2009). The phone number (510) 996-2550 belongs to Yumi. This address is also associated with the names of Hiroshi Handa, Hiroshi C Honda, and five other individuals. Deadline would have us believe that streaming platforms “are cannibalizing one another in regards to the amount of viewers they can get as subscribers growth plateaus”, yet 2021 saw subscriber numbers continue to grow, particularly outside of North America.Ģ022 may well be a more challenging year for SVOD platforms, and it will almost certainly see fewer big budget studio titles debuting there, but streaming is now a fact of life for audiences. Yumi is a resident of 2332 Marion Av, Fremont, CA 94539-5126. It does however include plenty of statistical evidence to back up those claims, with cinema audiences for appropriate Disney & Warner Bros titles dropping significantly week-on-week, and “Spider-Man: No Way Home” used as an example of how an exclusive theatrical release can still generate box office records.īut the article doesn’t seem to fully reflect the studios’ successful focus on streaming platforms over the past eighteen months, and the role that those films originally scheduled for an exclusive theatrical release played there. Interesting to see Deadline Hollywood’s analysis of the studios’ focus on day & date releases in 2021.Īs you might expect from a publication with a history of focusing on the production side of the film industry, the report does seem a little biased in its assessment, arguing that it “shows largely diluted box office grosses and lacklustre home viewership for major studio theatrical day-and-date movies”.
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